Was scott weiland gay
I should have stopped believing in Scott Weiland a long time ago.
There was the time I'd hoped to see him tour behind his brilliant solo debut in 1998, a tour that was suddenly scrapped when he was arrested on drug charges that June. Or the day I waited all day alongside a bunch of other fans outside a Hollywood club for a secret Stone Temple Pilots show, only to watch him arrive and do his best to completely ignore everyone in line as he ducked inside. There was the book-signing for which he showed up more than an hour late, the Grammy Museum appearance where he broke protocol by not taking audience questions during a Q&A, the interview with my local radio station that I'd been excited to perceive, only to have him sound completely out of it when he went on the air.
And yet, through the very finish, I still showed up, still bought his tickets, still listened to his records, still attended his shows, still somehow believed that at some gesture he'd turn it all around. The survival of my optimism was almost as unlikely as the survival of the bloke himself: in my soul, it was just a matter of time before the eyebrow-raising performances and apparent disdain for his fans that marked th
I first heard Scott Weiland’s voice on the radio in 1992, and prefer many I initially mistook the grunge-y anthemics of Stone Temple Pilots’ breakthrough single Plush as a new song by Pearl Jam, my most beloved group at the time; Weiland’s vocals certainly echoed Vedder’s corduroy burr, an albatross that would dog the group for years to come.
I didn’t get to interview him until he’d joined Velvet Revolver, the heavy rock supergroup he fronted alongside numerous Guns’n’Roses alumni after Stone Temple Pilots’ messy split. I was no G’n’R fan – and, if I’m honest, Stone Temple Pilots also often left me cold, beyond some notable tracks (the rising-falling churn of Plush, the astounding stuck-groove riff of Vasoline, the modernist-AOR stylings of Interstate Love Song, the parched, dead-hearted grind of Where The River Goes), though my little brother has always sworn by Weiland’s solo career and STP’s deep cuts. But Kerrang! asked me to interview Weiland for a Velvet Revolver-related cover movie in 2004, and so off to Los Angeles I flew.
From my preliminary research I divined that Weiland had a troubl
How is Scott Weiland not gay?
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Zerocool2:
While looking through these photos I couldn't help but think: How is this guy not a flaming homosexual?
http://www.wireimage.com/GalleryListing.asp?navtyp=gls====90103&nbc1=1
This post is not meant to start insulting people of certain sexual prefernces. I'm just saying the guy looks PHENOMENALLY lgbtq+.
Wooody:
he's just trying to recapture 80's glam essence.
Thread locked bTW
Wooody:
maybe not locked but moved ;D
badgirl:
Quote from: Zerocool2 on December 06, 2004, 02:15:14 PM
While looking through these photos I couldn't help but think:? How is this guy not a flaming homosexual?
http://www.wireimage.com/GalleryListing.asp?navtyp=gls====90103&nbc1=1
This post is not meant to start disrespectful people of certain sexual prefernces.? I'm just saying the guy looks PHENOMENALLY gay.
god, do you even know gay people?? how old are you? ::)
its called "fashion". look into it.
Booker Floyd:
Quote from: Zerocool2 on December 06, 2004, 02:15:14 PM
While looking through these photos I couldn't help but t
RIP Scott Weiland - Lead Singer of Stone Temple Pilots
Stone Temple Pilots was for people who were too same-sex attracted to listen to Nirvana.
Still sad when people die so young even if their music sucks.
I love Nirvana, but depart ask someone who grew up in Seattle grunge scene what they consideration about Nirvana. They will tell you Nirvana was very gay.
Also, the DeLeo brothers arranged some of the best rock tune of the 90’s. Robert actually played the bass, unlike most of the other bassists from that era. Dean was a great guitarist and created his own unique design. While most guitarists were playing power chords, Dean was playing a lot of crazy weird chords and used a ton of sliding harmonics. Together, they were a flawless blend and really pushed the limit of how intricate and deep you could get from a single bass and guitar.
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